The role of the critic has long been ridiculed and lambasted for all the obvious reasons – so few of those who chose to comment on anything motorized could ever produce something approaching the quality of that which they were criticizing. The motor car is perhaps the best example of this phenomenon – at its most flamboyant the modern motor car is an amalgam of can-bus, titanium hybridity whose sophistication suggests it should be placed on a plinth and worshipped as a symbol of human excellence.
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